Stars float by in the night sky illuminating my every unspoken wish. Large yellow moon shines on my unfulfilled dreams. I am overwhelmed with thoughts of what if’s. Instead of looking for the why not’s.
Following the path of those before me I’m guided thru the darkness by trails of dropped hopes. I must walk to the end and there I will finally find the meaning of my existence.
Forever is a long time to wait for you, but if that’s what it takes then that is what I must do.
You are buried deep in my heart, longing for you I know is only the start.
I would gladly stare into the sun to find you, even if it blinded me from what I know is true.
You have moved on and have gone away, but I know someday you will come home to stay.
My co-author Von is teaching one of our coworkers how to crochet. Wanting nothing to do with crafts whatsoever, I can’t help but watch in fascination whenever Erica visits Von’s desk. I may not want to be bothered with it, but I respect the art.
With much patience, Von instructs her on how to hold the crochet needle and what stitches to use. Since they’ve started Erica’s lessons, she’s made much progress on the pot holder or whatever she’s attempting to make. Much to my horror, the last time Erica visited for a lesson, Von cruelly laughed and ripped the stitches apart, destroying her work. Well, maybe she didn’t laugh, but all that hard work was unraveled back into a ball of yarn. It may seem mean, but Von says taking it apart is the best way for Erica to learn.
The same lesson can be applies to our writing. About two months ago, we were working on our fourth project when things just didn’t feel right. I hadn’t told her, but I felt bored and the writing felt stale. Chalking it up to exhaustion, I’d leave the project alone for a couple days, come back and feel the same way. I talked to her about what I was feeling and much to my surprise, she felt the same way. We’re both under the philosophy that if it isn’t right, we’re not going to publish it. Though it was painful, we went back over what we thought was complete, ripped it apart at the seams and started from scratch.
Our main problem was that we were dumbing down two very intelligent supporting characters. Knowing that these two important people would already know what was going on, we took it from there. The stone that we thought things were set in was shattered and we started back from the beginning. Starting from scratch was exactly what we needed. Along the way we’ve stitched in material that makes for a more interesting read. Now we’re both happy with the nearly finished product.
Though it may hurt, sometimes taking things apart and starting fresh is exactly what you need.
Whether it’s an argument or a stunning revelation, people especially women, love drama. It’s the reason the Housewives franchise of reality TV shows is ongoing and it’s the reason viewers flock to watch Scandal every Thursday. People love sitting safely on the other side of their TV’s or their books, watching the drama explode around them.
With out books, we can have all the paranormal activity, romance, and mystery you can think of, but what really makes a difference with our readers is the human drama. The best advice I’ve ever seen from a fellow writer was if you want to create drama, throw a character who has nothing to do with a particular situation, right smack dab in the middle of it.
As writers, it’s something we take into account with every project. Over the past couple months we’ve adopted the philosophy of making story decisions in the interest of drama. Say a character has an announcement to make, how would that announcement make the bigger impact? Who can we throw in the mix to shake things up? What if someone has a secret? Who would be the worst possible person to learn that secret? How can we make the biggest shock waves across our book?
When it comes down to it, people want the arguing, the fighting, and the conflict, with none of the real life stress. Give them what they want and you’ll be rewarded.